.

Thursday, January 30, 2020

Henry James The Turn of the Screw Essay Example for Free

Henry James The Turn of the Screw Essay At first glance, it would appear that Henry James The Turn of the Screw and Tim Burtons Edward Scissorhands have only one thing in common: they are both from the gothic genre. But upon looking closer, one will notice that there are a number of other similar traits between the two. There are noticeable similarities between Edward and the Governess, as well as similarities between Edward and the two children in The Turn of the Screw, Miles and Flora. There are also general themes which the two share images of a perfect society, as well as onlookers who have no control over the situation. Both The Turn of the Screw and Edward Scissorhands have many traditional features of the gothic genre. However, when compared to each other, it is found that The Turn of the Screw has more of the traditional gothic elements. These include things such as the mysterious setting; an atmosphere of mystery and suspense that is present throughout the entire novel; visions, which are a regular occurrence for the Governess; supernatural events such as the ghosts and the possessions of the children; high emotion; women threatened by males, which is found on the many occasions in which the Governess feels threatened by Quint; and there are many instances in which the women of the novel are in distress. In spite of this, a number of these elements can also be found in Edward Scissorhands, if not to a lesser extent. These include elements such as the setting while the entire movie does not take place in a gothic setting, there are times where the viewer is able to see Edwards original home a mysterious, gloomy castle; an atmosphere of mystery and suspense, which is an underlying theme throughout the movie; visions to some extent experienced by the Boggs neighbour; and supernatural events largely, the overall creation of Edward. Other elements that are similar between the two are women in distress in Edward Scissorhands, this is largely Kim; and women threatened by males shown in scenes with Kim and her threatening boyfriend, Jim. There are not only similarities between the overall genre of The Turn of the Screw and Edward Scissorhands, but between the characters as well. There are striking similarities between the Governess, the narrator of the book, and Edward, the main character of the movie. One of the most prominent is that  neither of these lead characters have much experience in the real world, as is evident through their actions and words. However, the Governess and Edward deal with this in different ways. Edward is generally dazed and confused about everything. Nevertheless, Edward is willing to learn, and is open to being taught. In contrast, the Governess reacts to her lack of experience by acting as though she is knowledgeable. She is unwilling to try other methods, and refuses to listen to others who might know better. Both characters were also taught the difference between right and wrong. Edward is taught this by the inventor, while the Governess is taught this through both her upbringing, and by her father. Both Edward and the Governess are taught this in theory, but have never experienced it in practice that is, they have never been able to apply the idea of right and wrong to the real world. Additionally, there are a number of similarities between Edward, and the two children, Miles and Flora. Both have overbearing female or mother figures in their lives. In Edwards case, this is his foster mother, Peg, who tends to be more caring towards him, and looks out for him. In the childrens case, this is the Governess. However, unlike Peg, the Governess coddles the children, spending all her time with them and not letting them out of her sight. Both of them are also blamed for something which they didnt do, or which never happened. Edward is framed for the robbery and murder, which had the potential to get him in trouble with the law. This was a deliberate blame and set up. On the other hand, Miles and Flora were accused of seeing ghosts, and lying about it. However, in contrast to Edwards situation, we never know whether this actually happened but either way, it wasnt a deliberate setup. There are even more similarities between Edward and the two children. Both of these characters are abandoned by their father figure. In Edwards case, this is in the death of his inventor. Because of this, Edward has to learn to cope for himself, and as a result, is confused about how to act correctly. This differs to Miles and Flora though their parents die, and their uncle effectively abandons him, they still have people who are willing to look after them, such as Mrs Grose and the Governess. They are also both  idealised by the people around them. The community idealises Edward he is treated as a phase, the latest craze. They have preconceived notions of him, but dont take the time to get to know him and see if theyre actually true. In the childrens case, this is where the Governess idealises Miles and Flora. She imagines them to be so perfect and innocent, but she doesnt take the time to get to know them. Because of this, when they act differently to the behaviour she expects of them, she thinks something is wrong. Edward and Miles are both seen to have dangerous characters, and because of this they eventually become shunned or kicked out though the extent to which this happen differs. Miles is seen as a danger to the other children, and is kicked out of his school, but he is not rejected or shunned overall, just from one place. In contrast, Edward is eventually shunned by society as a whole because they dont understand him. As a result of this, he is rejected by society, and becomes an outcast. The narrative structure of the two texts is also quite similar. Both of them are told by a female, and in the first person. This viewpoint makes the story seem more personal, as it gives the reader or the viewer a better insight into what really took place. Both stories also start off in the present tense, with someone talking about the events which had previously taken place, before going into an account of the story. However, in The Turn of the Screw, we never go back to the original setting, whereas in Edward Scissorhands we are taken back to the original storyteller to finish the story. In both instances, it also gives the feel of the storyteller holding onto the secret, and waiting for the right time and place to finally tell their story to a willing audience. There are a number of general things which are common in both the texts. One of these is that both The Turn of the Screw and Edward Scissorhands have onlookers that have no control over the story, and dont fully understand what is going on. In Edward Scissorhands, the onlooker is Kim Pegs daughter who is a silent observer, and unsure as to what is happening. In The Turn of the Screw, this onlooker is Mrs Grose. Mrs Grose has no control over the actions of any of the other characters, and is forced to sit back and watch as the events take place around her, not fully knowing what is  going on. Another theme common in both texts, as well as being common in the gothic genre, is the idea of a woman being threatened by a powerful, impulsive, controlling male. In The Turn of the Screw, this is Quint, who, though dead, makes the Governess feel threatened. In Edward Scissorhands, the male is Jim Kims boyfriend. She feels threatened by his actions, and especially at his reaction to Edward. But the most obvious similarity between the two texts is that both have a perfect society, which slowly falls away, leaving the reader with an image of a very tainted place. In Edward Scissorhands, the community that he lives in is regarded as perfect, with everyone being accepting of him. However, as the story progresses, the perfect image falls away and we are left with a community that is biased and judgemental. In The Turn of the Screw, it first appears as though everything is perfect particularly the beauty of Bly, and the childrens characters, but we soon learn that it isnt. Overall, while there are some aspects of the texts which are entirely different, there are too many similarities for one to say that they are not alike in some way. These similarities are shown in a number of areas in the genre, the narrative structure, the characters actions and thoughts, as well as the overall themes and ideas which are introduced. However, whether The Turn of the Screw and Edward Scissorhands are similar or entirely different, they are both classic examples of the gothic genre of fiction.

Wednesday, January 22, 2020

Different and Similar friends :: social issues

Different and Similar friends Some people prefer to have friends who are different from them and some prefer to have friends who are similar to them. Which do you prefer? According to chemistry-students, second year, RUPP, many like to have friends for their studying. Some students prefer to make friends who are similar to them and some think that the friends who they like are different from them. There are many reasons that cause those people want to choose persons who they want to be friend. On the one hand, making friends is to think about the age sometimes. People can use the formal languages to communicate to each other without worry about obeying to each other. They easily call their name directly when they meet each other inside and outside the class. For example, Meng Thia and Monorom are friends and they like talking to each other very closely and tightly when they are in class even at along the road to RUPP. To be of the same age is a vital point for people who like making friends who are similar. Another thing to consider for discussion if people prefer friends who are similar, they think about the characteristic of those people. First, they can get along with each other for long times when the have similar attitude or feature. Second, they are normally satisfied with their behavior. For instance, Saveoun admires her friend, Chann Rith, because of Chann Rith’s attitude she show s in class. Characteristic help keeping friendship for many people, and offer many advantages. On the other hand, many students feel that it is a better way to associate with friends who are different to them. People’s knowledge is not equal, so it is shared to each other. Sometimes students share their experiences or help solving the problem when someone does not understand well about it. In addiction, we can learn knowledge or technique from friends to deal the problem with many ways. In face, Rithy and Soriya have different methods to explain the definition of chemical elements; Rithy learns from Soriya and also Soriya from Rithy. Sharing knowledge makes people increase their intelligence and become good friends with people whose knowledge are exchanged. One other reason is the strategy. First, some students work with their timetable very well, so others who think that they have different strategy want to create relationship as friends with those persons. Also, some students tell their strategy of managing times for their every day’s life to students who have weak abilities of management. Different and Similar friends :: social issues Different and Similar friends Some people prefer to have friends who are different from them and some prefer to have friends who are similar to them. Which do you prefer? According to chemistry-students, second year, RUPP, many like to have friends for their studying. Some students prefer to make friends who are similar to them and some think that the friends who they like are different from them. There are many reasons that cause those people want to choose persons who they want to be friend. On the one hand, making friends is to think about the age sometimes. People can use the formal languages to communicate to each other without worry about obeying to each other. They easily call their name directly when they meet each other inside and outside the class. For example, Meng Thia and Monorom are friends and they like talking to each other very closely and tightly when they are in class even at along the road to RUPP. To be of the same age is a vital point for people who like making friends who are similar. Another thing to consider for discussion if people prefer friends who are similar, they think about the characteristic of those people. First, they can get along with each other for long times when the have similar attitude or feature. Second, they are normally satisfied with their behavior. For instance, Saveoun admires her friend, Chann Rith, because of Chann Rith’s attitude she show s in class. Characteristic help keeping friendship for many people, and offer many advantages. On the other hand, many students feel that it is a better way to associate with friends who are different to them. People’s knowledge is not equal, so it is shared to each other. Sometimes students share their experiences or help solving the problem when someone does not understand well about it. In addiction, we can learn knowledge or technique from friends to deal the problem with many ways. In face, Rithy and Soriya have different methods to explain the definition of chemical elements; Rithy learns from Soriya and also Soriya from Rithy. Sharing knowledge makes people increase their intelligence and become good friends with people whose knowledge are exchanged. One other reason is the strategy. First, some students work with their timetable very well, so others who think that they have different strategy want to create relationship as friends with those persons. Also, some students tell their strategy of managing times for their every day’s life to students who have weak abilities of management.

Monday, January 13, 2020

Juggling and Indian Jugglers

Indian Jugglers and the meaning of life I've just come across a superb essay entitled ‘The Indian Jugglers' from William Hazlitt's 19th century collection Table Talk (1828). Hazlitt starts the essay by describing his absolute astonishment upon watching Indian Jugglers perform in London's Olympic Theatre. Hazlitt was known for his wildly exaggerated style. However, his genuine amazement is clear: Coming forward and seating himself on the ground in his white dress and tightened turban, the chief of the Indian Jugglers begins with tossing up two brass balls, which is what any of us could do, and concludes with keeping up four at the same time, which is what none of us could do to save our lives, nor if we were to take our whole lives to do it in. Is it then a trifling power we see at work, or is it not something next to miraculous!It is the utmost stretch of human ingenuity, which nothing but the bending the faculties of body and mind to it from the tenderest infancy with incessan t, ever-anxious application up to manhood, can accomplish or make even a slight approach to. Man, thou art a wonderful animal, and thy ways past finding out! Thou canst do strange things, but thou turnest them to little account! – To conceive of this effort of extraordinary dexterity distracts the imagination and makes admiration breathless. † Hazlitt was clearly gobsmacked.He goes on to state next that â€Å"As to the swallowing of the sword, the police ought to interfere to prevent it. â€Å". But it was the juggling act that astounded Hazlitt to such an extent that he was left questioning his own worth: â€Å"The hearing a speech in Parliament, drawled or stammered out by the Honourable Member or the Noble Lord, the ringing the changes on their common-places, which any one could repeat after them as well as they, stirs me not a jot, shakes not my good opinion of myself: but the seeing the Indian Jugglers does. It makes me ashamed of myself.I ask what there is that I can do as well as this! Nothing. What have I been doing all my life! Have I been idle, or have I nothing to shew for all my labour and pains! † Hazlitt went on in his exasperating vain: â€Å"have I passed my time in pouring words like water into empty sieves, rolling a stone up a hill and then down again, trying to prove an argument in the teeth of facts, and looking for causes in the dark, and not finding them? Is there no one thing in which I can challenge competition, that I can bring as an instance of exact perfection, in which others cannot find a flaw?The utmost I can pretend to is to write a description of what this fellow can do. I can write a book: so can many others who have not even learned to spell. What abortions are these Essays! What errors, what ill-pieced transitions, what crooked reasons, what lame conclusions! How little is made out, and that little how ill! Yet they are the best I can do. I endeavour to recollect all I have ever observed or thought upo n a subject, and to express it as nearly as I can. Instead of writing on four subjects at a time, it is as much as I can manage to keep the thread of one discourse clear and unentangled.I have also time on my hands to correct my opinions, polish my periods: but the one I cannot, and the other I will not do. † A juggling act then left a great critic deeply critical of his own worth. The mere act of juggling four balls was all that was needed to ignite Hazlitt's needling sense of failure and lack of confidence. Most of us as writers, I think, occasionally or very often feel like Hazlitt. Hazlitt, unfortunately, died a poor outsider not long after this essay was published. No doubt the troupe of Indians he saw, presumably far away from home and very likely getting paid a pittance, amazed many in London and elsewhere.But Hazlitt, the enlightened post-1789er, saw something more. What he witnessed deeply affected him personally but is also suggestive of his general approach to criti cism. The skill of the juggling that night left him open-mouthed and his response has to be written down and shaped into words. Hazlitt saw something new and different and could describe the act with freshness and verve. He said of the juggling: â€Å"To catch four balls in succession in less than a second of time, and deliver them back so as to return with seeming consciousness to the hand gain, to make them revolve round him at certain intervals, like the planets in their spheres, to make them chase one another like sparkles of fire, or shoot up like flowers or meteors, to throw them behind his back and twine them round his neck like ribbons or like serpents, to do what appears an impossibility, and to do it with all the ease, the grace, the carelessness imaginable, to laugh at, to play with the glittering mockeries, to follow them with his eye as if he could fascinate them with its lambent fire, or as if he had only to see that they kept time with the music on the stage – there is something in all this which he who does not admire may be quite sure he never really admired any thing in the whole course of his life. â€Å"Hazlitt's own description of juggling illustrates his own talent and skills, sadly only appreciated in full after his death in 1830. Hazlitt appeared to make criticism as art appear easy and effortless, whether critiquing the plays of Shakespeare, writing biographies or discovering his own astonishment about Indian jugglers. Hazlitt's reputation and own skill as a literary and social critic lived on long after his death, latterly prospering, in part because of this internalised child-like wonder and fascination alongside his undoubted ability to see and describe the world anew, not least when viewing jugglers from the East.